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  • 10 gift wrap service

    5:37 PM PST, 6/12/2008

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    <gift wrap service>

    Your book can be gift-wrapped (paper and ribbon), together with your message in a card.

    Simply request the service when paying, indicating the recipient, recipient address and 'your message'.

    Your book will then be gift-wrapped, placed in bubble-wrap and secured in a thick, corrugated card sleeve before being sent to the recipient address.

    The cost is £1.25. Please add this to the p&p box on your invoice.

  • 11 rule of thumb book review

    5:36 PM PST, 6/12/2008

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    <rule of thumb>  

    Courtney Love: The Real Story ~ Poppy Z Brite

    Brief blurb: Drug addict .. slut .. bitch .. feminist .. anti-feminist .. .rook wife .. rock widow .. rock chic .. riot grrrl.  Following the death of husband Kurt Cobain, Courtney Love has had labels slapped on her like a well-travelled suitcase. As first time biographer, Poppy Z Brite points out, ‘Courtney has always been surrounded by chaos, triumph, pain and glamour, Some of it she has created herself.’ Brite, the author of erotic horror like Swamp Foetus and Exquisite Corpse, is interested neither in lauding or condemning her subject but only in chronicling the first thirty-two years of a fascinating life.

    Random quote: ‘I'm having the baby, it’s coming out, he’s puking, he’s passing out…’

     

    Rule of Thumb: Thumbs up! – a real page-turner 

     

  • 12 book grading guide

    5:36 PM PST, 6/12/2008

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    <guide to grades>

    The following is the system I use for grading books ~

    Mint ~ New or as new, clearly unread, no tanning to pages, no creasing to spine or cover, no marks or inscriptions. This is the condition you would expect to find in a high street bookstore or on mail-order.

    Excellent ~ The book appears to be in fine condition. A closer look reveals some signs of previous ownership, such as shelf-rubbing and in some cases an inscription. Yet on the whole, the book is perfect.

    Very Good + ~ Less than excellent condition with no more than mild tanning or foxing to pages, minor creasing to spine or cover, possible shop sticker/pencilled price or previous owner name, but no other marks or inscriptions. This is still a tight and bright copy.

    Very Good ~ The book shows clear signs of previous ownership / shelf wear. There may be some tanning / foxing to pages, slight creases to spine or cover, inscriptions from previous owner (typically their name or words of presentation).

    Good + ~ The book cover and contents may have faded in colour and there may be creases, wear and inscriptions. However the book is still intact and readable and there is no loosening to spine or pages.

    Good ~ This is an acceptable reading copy and there may be several of the reported problems above as associated with age and/or mishandling.

    Poor ~ A book such as this is sent to auction for reasons such as the edition's rarity. This will probably not make an acceptable reading copy, and is more likely to have value in relation to its collectable status.

    N.B. where a double grading is given, the latter refers to the dust-jacket, wrapper or cover

    This grading guide is updated monthly to save you scrolling through archives. 

  • 13 bespoke packaging

    5:35 PM PST, 6/12/2008

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    <bespoke packaging>

    To protect your purchase, books are secured in thick bespoke corrugated card sleeve and a bubblewrap inner to stop the book bouncing in the card packet.  Standard paperbacks are shipped in a bespoke envelope (trimmed to fit the book snugly), bubblewrap and corrugated card stiffener.

  • 14 cover story

    5:34 PM PST, 6/12/2008

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    <cover story>

    Recognise this month's cover fragment? It's taken from the 1978 World & Whitman Star Trek annual. The book, sometimes attributed as 1980, includes these stories: Sport of Knaves; A World Against Itself; No Time Like the Past. The UK annuals typically reprinted stories from the American Gold Key comics. The arched eyebrow of the irrepressibly logical Mr. Spock is one of the most recognisable images from a series that also put it's stamp upon lasers, teleportation and even mobile communication devices.

     

  • 15 endnotes

    5:34 PM PST, 6/12/2008

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    . .icon! ....

    ~  stars, biographies &

    world of entertainment

  • May 2008

    2:55 AM PST, 5/1/2008

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    the edition

     <<cult fiction>>                        .    .............................................    <

    This issue << An A to Z of Cult Speak>>

    Introducing << Rule of Thumb book reviews>>

    <<Five Cult Apocryphal Tales>>

    plus all the Regular Features

     

    IMPORTANT

    <<navigation>>

    pages may not all load together straight away   -----

    to view all pages go to Blog Archives and repeat click Month

     

  • 01 contents

    2:46 AM PST, 5/1/2008

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    <in this issue>

    <in this issue>

    02 <foreword>

    03 <thematic>

    04 <feature story> An A to Z of Cult Speak

    05 <rule of thumb>

    06 <biblio-key>

    07 <fiver> Cult Apocryphal Tales

    08 <gift wrap service>

    09 <rule of thumb>

    10 <guide to grades>

    11 <bespoke wrapping>

    12 <cover story>

    13 <browser>

    <<navigation>>

    to view all pages go to Blog Archives and repeat click Month

  • 02 foreword

    2:43 AM PST, 5/1/2008

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    <foreword>

     

    This month the Cult Fiction  auction celebrates the best of pulp fiction and beyond-- from Beat poetry to biographies of the Angry Young Men and beyond.

    No doubt the full selection will have many of you sighing and reaching for dictionaries incredulously. But right there’s the problem. Exactly how do you define cult fiction? With even the most uncontroversial gathering of cult practitioners, it is difficult to identify the critical unifying ingredient. Perhaps the adolescent angst and rebellion of Salinger’s The Catcher in the Rye? The hippy drippy platitudes of Kahlil Gibran’s The Prophet? Maybe the postmodern intertextuality of Italo Calvino’s If on a Winter’s Night a Traveller? Or the sexual ‘autogeddon’ of J.G. Ballard’s Crash?

     

    What links these books? If there’s anything, it is the relationship between the text and your outlook ... the seismic shift in worldview that's brought about by the book. But that’s a subjective test … and one which could be applied to a very broad range of titles. So, yes, there may be some indignant huffing, as much for what is included as left out. By all means, post your objections.

    The Cult Fiction theme will run through May and June.  Featured books are available through auction and Buy it Now.  Most of the items are paperback and will be dispatched fully protected in bubblewrap, with a card stiffener and in altered envelopes which fit like a bespoke jacket to prevent the book from moving about.  

    Happy reading,

    dene october

  • 03 thematic: the month's theme

    2:42 AM PST, 5/1/2008

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    <thematic>

    pulp friction

    Cult?  Been there?  Got the t-shirt?  Maybe it is nothing more than a buzz word bandied about by cynical publicists and booksellers (ahem) to pitch everything from the offbeat to the upbeat (maybe anything with a beat).  But if the idea of publicity seems antithetical to genuine cult, it’s perhaps because of the narrow lens through which we view popular culture.

     

    The etymology of cult reveals the semantic convention of linking its Roman roots in agricultural practice (cultivation) with its Latin ones in religiosity (adoration).  The cultivation of a particular set of beliefs isn’t something that trickles down but is cultured from the ground up, as it were.  It is no surprise that cult can be traced back to the first pamphlets off the printing press while the advent of the pulp novel, in particular the paperback, heralds a golden age of cult. 

     

     

     

    The paperback eagerly broke the rules of good literature, deploying the lurid skills of the illustrator and copywriter in assuring market relevance and popularity.  The literary hegemony bemoaned the cheap and nasty realism in vain, succeeding in driving some material underground where it only gained greater kudos.  True, the cult fiction of the postwar period was a landmark, but our nostalgia for it should not be blinkered to its relationship with visual and consumer culture.  Nor should it be a bar to new ideas, or to the publicity that helps cultivate them.